Life is elsewhere was selected for FECIR XI (Festival Internacional de Cine Rengo) under the Documentary competition, together with Crónica de un comité (José Luis Sepúlveda), El Vals de los Inútiles (Edison Cajas), El Parra Menos Parra (Jorge Cantoni), Los Castores (Nicolás Molina), Consejo de Guerra (Fabiola Albornoz), Cabezón (Jairo Boisier), Muerte Blanca (Roberto Collío), Propaganda (Chistopher Murray) and María Elena (Rodrigo Lepe).
From February 2 - 7, 45 films will be exhibited, selected from more than 800 applications from Europe, Asia and all across América, under 4 competitive categories: International feature, Short films, National Documentary and Short Student films.
September 9-10 2015, Chile Chico, Chile August 21 2015, Futaleufú, Chile February 2015, London, UK February 2015, FICA, Parque Tantauco, Quellón, Chile February 2 2015, FECIR, Rengo, Chile
January 8 2015, Taller BLOC, Santiago, Chile January 2015, FICA, Arica, Chile January 2015, FICA, Santiago, Chile January 2015, FICA, Valparaiso / Viña del Mar, Chile December 15 2014, FICAMS, Puerto Williams, Chile December 3 2014, FICAMS, Punta Arenas, Chile November 7 2014, FEDOCHI, Castro, Chile January 14 2013, Cecilia Brunson Projects, London, UK
Life is elsewhere was selected for FICA together with Paraíso Infértil, Las Cruces De Quillagua, Home, Méditerranée, La Soif Du Monde, Planet Ocean, Im Fluss Des Lebens, La Platja Llarga, Elemental, Hydro, Thin Ice, Damnation, Stop! Rodando El Cambio and Glacial Balance .
Life is elsewhere was selected for FICAMS together with “Autoregulación en rancio” (Chile), “El mundo en tus manos” (Spain), “Entre el cielo y la tierra. La guerra de los Aiguamolls” (Spain), “Fosca Liebre” (Mexico), “Gran Sauce” (USA), “Second Wind” (Russia), “PseudoEvolucion” (Brazil), “El crucero de las cáscaras de banana” (Italy/France), “La Gota” (Spain), “Lobezno” (Spain), “Mirage” (USA), “Refugiados en su tierra” (Argentina)
and “VaiTupuna” (Chile).
Life is elsewhere was selected for FEDOCHI 14 (Festival de Cine Documental de Chiloé) together with El gran circo pobre de Timoteo (Lorena Giachino, 2013), Propaganda (Christopher Murray, 2014), Crónica de un Comité (José Luis Sepúlveda y Carolina Adriazola, 2014), Los Castores (Nicolás Molina y Antonio Luco, 2014), Diosito el huinca (Michelle Carrere, 2014).
According to the selection jury, the documentaries show a special portrait of subjects linked to heritage rescue, identity, memory and human rights, in a pursuit to film small stories of deep social content.
Thanks to CinemaChile, Life is elsewhere will be present at the Media Library of the DOC Market of Visions du Réel, in Nyon, Switzerland, one of the most important festivals of documentary of Europe, that puts the spotlight on new European and international productions. The Media Library offers a selection of creative works from the fascinating diversity engendered by the cinéma du réel.
The music pieces for the film were created by hermano-hermano, a duo of brothers (Camilo and Alejandro Artigas) that work in close relationship with the director. Their music attempts to communicate the tone of the documentary, while conferring a new layer of rhythm and character to the overall work. More information about their work can be found at hermano-hermano.com
The international festival season is opening and the movie is now ready for showcase. The film will be sent to a selection of film and documentary festivals worldwide where it will be showcased if selected. We will keep informing about showcasing dates and locations.
Nicolas Sanchez (Santiago de Chile, 1981) lives and works in London, UK.
In 2009, after wining the first prize of the Juan Downey award for Film, he decided to shoot his first long feature documentary film. With a 7 year background on fine arts and digital media Sanchez has developed and audiovisual research (film/photography) mixing landscape intervention with performance, seeking to question our approach to nature and culture.
With the backdrop of an increasingly uncertain and bleak global future Sanchez conducts his work as an ongoing audiovisual study that incorporates both performance and intervention in the physical landscape. Just as Romanticism arose in response to the excesses of 18th Century rationalism and its broken utopian promises, Sanchez uses his landscapes as a form of romantic escapism whilst breathing into them a feeling of desperation, melancholy, anger and hope.
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life...” H.D. Thoreau
In January 2010, in Thoreau’s way, I went by myself, carrying a camera and a tripod over my shoulders, through deserts and steppes in a pursuit journey to find life. I had always wanted to make a movie. When I decided to start I realised that I had already made it. Two people who I had met under certain (determinant) circumstances in my life, had built through me a discourse about life in the form of a full-length documentary. Although I was once again late to my own idea about making a film, it still needed to be filmed. This is how in January 2010 I parted by myself, camera and tripod over my shoulder, to film lives at ground level within determining geographies. I carried with me the minimum equipment possible, seeking to create an atmosphere of intimacy and sensibility that allowed the landscape, and those who inhabit it in silence, speak. There began a project as long and difficult as it is stimulant, a project that today, three years later, has finally reached its conclusion.
A lyric documentary of a distant journey from Atacama Desert to Patagonia, carrying a camera and a tripod over the shoulders, from a fog oasis to a bygone estancia in a pursuit journey to find life.
Horacio is a former priest, archaeologist and anthropologist who researches a fog oasis in the Atacama desert which was inhabited by primitive cultures centuries ago. Alfonso is a lawyer who chose to retire to Patagonia to revive an old sheep estancia in decline.
Through lengthy conversations immersed in astounding landscapes, the documentary reveals the strong link they hold with their inhabited place, leading a life of deep connections in isolated territories. Revolving around life, modernity, resistance and change, their stories unveil unique life experiences and singular insights.
Country: Chile Language: Spanish (sub. in English and Spanish) Release Date: Also Known As: La Vida esta en Otra Parte Filming locations: Patagonia, San Gregorio, Magallanes region, Chile Atacama Desert, Alto Patache, Tarapacá region, Chile.
Runtime: 1 hr 42 min (102 min)
Format: 1080p HD video
Copyright: All rights reserved
Directed and filmed by Nicolas Sanchez \ Original music by hermano-hermano \ Producer entrelaspiedras.com \ Technical advice Globo Rojo Producciones \ Production Management Nicole Rochette \ Edition and Montage Nicolas Sanchez \ Audio Post-production Camilo Artigas \ Video Post-production Nicolas Sanchez